Movies

To Tea, made in Holland (at the house of the Dutch avant-garde filmmaker Franz Zwartjes), is a slowed ‘Alice in Roomland’.A guide to...

Stephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts of ageing. The film is an ode to the texture,...

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996....

The film is just this kind wandering through the personal ways and whys of different kinds of pain in different kinds of people. The film searches...

Stephen Dwoskin brings together members of the Ballet Negres dance company, founded in London in 1946.

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011....

'Dyn Amo' is a 'drama' exploring the distinction between a person's self and his projection of that self to others; and it's a 'horror movie'...

A man walks towards the camera down the end of a street to the sound of 'Jesus’ Blood Never Failed Me Yet', a composition by Gavin Bryars based...

In their lyrical and philosophical video essay, “Telescopic Intimacy”, Cristina Álvarez López and Adrian Martin explore the...

A portrait of a relationship between a physically disabled man and an able-bodied woman.

Trixi is Dwoskin’s most convulsive version of his recurrent theme: the confrontation of a solitary girl with the camera. Shot in one continuous...

Filmed in New York in 1964, completed in London 1967.

Includes 'portraits' of Marianne Faithfull, Thelonious Monk and 28 others, some known, some less so.

A static camera records, in one single continuous shot, a woman's face before, during and after orgasm. The act of looking and the limits of the film...

A personal film by experimental director Stephen Dwoskin.

Images of a woman lying on a bed appearing to have a sexual fantasy for lack of anything else to do.

A group of strangers explore their fantasies over a period of five days.

A exploration of the origin, theory, philosophy and themes of Stephen Dwoskin's films from 1963 to 1984.

"Either in its natural state or with its embellishments of makeup, jewels, and hairdos, nothing can restrain the imagination from the most forms of...